Celebrating the work of Adam Frew, this solo exhibition focuses on his clean, traditional, porcelain forms, decorated with colourful and imaginative markings.
Each of his pieces are thrown on the potters wheel and subtly show the makers hand, which creates a beautiful sense of life within the craftsmanship of his work.
‘I enjoy the spontaneity of throwing, the speed of production and I seek to reflect this energy in my mark making. My marks are continually evolving, I am interested in contrasts; sharp lines, crayon scribbles, brush marks, sponged back sections. It is this ongoing investigation that invigorates my making.’ – Adam Frew
Based in rural Northern Ireland, Adam is known for his functional ware and large one-off pots. His career began after spending time at the historic Winchcombe Pottery, then in Finland with Judy Makela, before going on to undertake a two year apprenticeship with Lisa Hammond in Greenwich, London. Having moved back to Northern Ireland he now works from his studio space beside his home in Aghadowey, Co.Derry.
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‘I build up the surfaces of my pieces spontaneously, riffing on ideas of space, narrative and joy. I get to a point where I can push things a bit, hoping something exciting will happen – and sometimes it does.’
“The work has a strong tactile quality, as does the natural world. I don't wish to imitate nature but aspire to echo the process of nature.”
“Everything created, either functional or decorative, has equal importance,
and the integrity of this thought is the driving force behind my daily practice as
a potter.”
The driving force behind all of Paul Jackson’s
highly decorated work is a desire to express
his Cornish surroundings, with their strong
sense of colour and style. Paul uses white
earthenware to form energetic vessels
which are then decorated with colourful
and painterly abstract decorative motifs,
some influenced by Russian or Islamic art.
Richard Phethean makes ceramics
using coarse textured red and black
earthenware clays referencing
ancient pottery as well as European
slipware traditions. Richard utilises
brush and resist techniques to create
cubist‑inspired abstractions that adorn
both his domestic vessels and altered
and assembled forms.