Clive Bowen is one of Britain’s finest studio potters. He is internationally known and respected for his powerful yet intimate pieces, with his works widely exhibited in the UK and throughout Europe, North America and Japan.
From his Devon studio, Clive produces slip-decorated earthenware pots, which he says are “… all basically to do with food and presenting food, I’ve always been about that.” Clive uses the local Fremington clay, a red earthenware clay used for centuries for traditional North Devon wares. His work is mostly wheel thrown with some hand-pressed dishes. Making their debut with us are new extruded vessels for flower displays, heavily influenced by Japanese vases.
Lately, he has been decorating his pieces whilst listening to music, often jazz. The rhythm and energy of the music is felt and channeled through his fingers, whether in direct contact with the slip or via slip trailing, combing and sgraffito.
Clive fires his work in his large double-chambered wood-firing kiln.
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This exhibition profiles the works of eight esteemed makers, each of whom have recently been awarded Selected Member status by the Craft Potters Association.
Lise’s primary interests lie in creating decorative and sculptural forms with highly textured, expressive surfaces. The work is deeply rooted in the rugged landscape she grew up in in Norway, imbuing a sense of place, timelessness and quiet beauty within each piece, as if they were found, rather than made.
This exhibition profiles the works of ten esteemed makers, each of whom have recently been awarded Selected Member status by the Craft Potters Association.
As his working practice approaches fifty years, Jack Doherty’s work has become simpler and more focused. By stripping away what he considers unnecessary, Jack’s process now involves just one clay, one colouring mineral, and a single firing. For inspiration and courage, he looks back to prehistoric vessels, powerful anonymous objects that held both practical and spiritual significance in everyday life. These forms, made before art or craft, speak profoundly of their time and the people who lived with them.
“Simplicity is complexity resolved” - Constantin Brancusi
Lara Scobie is an Edinburgh based ceramic artist specialising in individual slip-cast vessels and bowls made in porcelain and parian clay. Focusing on the dynamic between form and pattern her work explores the cohesive integration of drawing, surface, mark making and volume. The off-center ellipses of the individual forms echo line drawings and decoration applied to the painted surfaces.
“The theme of balance is a constant, significantly underlining my current work in which ideas of dynamic interplay between form and surface develop.” – Lara Scobie
Sue’s work draws on the quiet resilience of trees and bones—forms shaped by time, marked by fragility and carrying memories of growth and decay. Through slow, receptive hand-building, each piece develops as if guided by an internal rhythm. Textured surfaces hold lines like weathered stories, while a soft matte glaze evokes a sense of calmness.
‘My hurt, my joy, my scars, my healing, all shape the work I create in clay.’ – Sue Mundy