James and Tilla Waters’ pots emerge from a long tradition of domestic ware but are conceived and evaluated in increasingly aesthetic terms. Carefully considering where hands hold pieces and edges meet mouths, their forms have classic clean lines with beautifully balanced proportions. These subtle qualities – the degree of the curve in a bowl for instance, combined with their aesthetic dedication results in work which is pleasing to live with beyond being simply nice to use.
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“My making process is a daily repetition in a calm and quiet place. My work is a reflection of thoughts and sensibility in these moments of making.”
“I am wary of having a formula, thinking I have cracked the code… The feeling of satisfaction is surely my enemy. I need to stay focused on trying to create work that has real freedom in it, freedom from materials, method or mentality.”
“Central to my work is the concept of the vessel: creating associations with sharing, ritual and celebration, reminders of our humanity, our history and connection with nature.”