Jill Fanshawe Kato graduated in Painting from Chelsea School of Art, London. After a period of teaching she had the opportunity to visit Tokyo in Japan, joined the school of potter Yosei Itaka and began to study Japanese pottery. She subsequently worked with renowned potter Ryoji Koie. Returning to London in 1977, Jill established her first studio. Since then, she has lived and worked in north London. She continues to exhibit in Japan, with 46 exhibitions there, mainly at Keio Department Store in Tokyo but also in Okinawa. She has exhibited widely internationally and across the UK. Jill has recently established a studio in Devon
Irish-born Susan O’Byrne studied Co. Kilkenny before moving to Edinburgh College of Art where she achieved a Post Graduate in Ceramics in 2000. Initially studying textiles, her ceramic work shows influences from this training, showing a fascination with texture, surface pattern and decoration. The work in this exhibition features new developments in surface decoration and for the first time, the use of glaze to reference Egyptian carvings seen at the Metropolitan Museum of Art and the British Museum. Susan lives and works in Glasgow.
Exhibition pieces will be viewable online from Thursday 12th October
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“The work has a strong tactile quality, as does the natural world. I don't wish to imitate nature but aspire to echo the process of nature.”
“Everything created, either functional or decorative, has equal importance,
and the integrity of this thought is the driving force behind my daily practice as
a potter.”
The driving force behind all of Paul Jackson’s
highly decorated work is a desire to express
his Cornish surroundings, with their strong
sense of colour and style. Paul uses white
earthenware to form energetic vessels
which are then decorated with colourful
and painterly abstract decorative motifs,
some influenced by Russian or Islamic art.
Richard Phethean makes ceramics
using coarse textured red and black
earthenware clays referencing
ancient pottery as well as European
slipware traditions. Richard utilises
brush and resist techniques to create
cubist‑inspired abstractions that adorn
both his domestic vessels and altered
and assembled forms.