Jill Fanshawe Kato graduated in Painting from Chelsea School of Art, London. After a period of teaching she had the opportunity to visit Tokyo in Japan, joined the school of potter Yosei Itaka and began to study Japanese pottery. She subsequently worked with renowned potter Ryoji Koie. Returning to London in 1977, Jill established her first studio. Since then, she has lived and worked in north London. She continues to exhibit in Japan, with 46 exhibitions there, mainly at Keio Department Store in Tokyo but also in Okinawa. She has exhibited widely internationally and across the UK. Jill has recently established a studio in Devon
Irish-born Susan O’Byrne studied Co. Kilkenny before moving to Edinburgh College of Art where she achieved a Post Graduate in Ceramics in 2000. Initially studying textiles, her ceramic work shows influences from this training, showing a fascination with texture, surface pattern and decoration. The work in this exhibition features new developments in surface decoration and for the first time, the use of glaze to reference Egyptian carvings seen at the Metropolitan Museum of Art and the British Museum. Susan lives and works in Glasgow.
Exhibition pieces will be viewable online from Thursday 12th October
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Twelve new members of the Craft Potters Association exhibit their inspiring work in this second group show of 2024. Expect to be impressed once more, by a selection of skilfully made sculptural, figurative, organic and functional forms.
Marina Bauguil, Daniel Chau, Moira Goodall, Björk Haraldsdóttir, Paul James, Jaeeun Kim, John MacKenzie, Ania Perkowska, Birgit Pohl, Amanda-Sue Rope, Jessica Thorn, Kate Windibank
Adam Frew works in porcelain, creating thrown functional and large one-off pots. He revels in the spontaneity of throwing, the speed of production, seeking to reflect this energy in his distinctive mark making. These marks are continually evolving, but are always energetic and confident.
Adam works in contrasts: of lines or washes, glazed and unglazed, blues and oranges or reds and more recently, applied ridges.“A sense of energy has always been central to my work. Working with the clay in a way that is fluid and quick, and doesn’t require much reshaping.”Adam Frew works in porcelain, creating thrown functional and large one-off pots.
Charles Bound ‘s work is unconsciously influenced by significant periods of time spent in the USA, Africa, and the UK. Loose and elemental, it reflects the rugged landscape of Wales, particularly of the farm environment where he lives and works today. The indeterminate process of seeing how it goes has always motivated Charles; often with the friendly eye of a visiting granddaughter who would help him decide what a piece was to be as it was developing.
Akiko Hirai makes largely functional ware using the Japanese tradition of allowing the clay itself to show the way in which it wants to be fired. She tries not to control her materials but to let them and the unpredictable environment of the kiln dictate much of the resulting shape and colour of her work.