We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Jill Fanshawe Kato graduated in Painting from Chelsea School of Art, London. After a period of teaching she had the opportunity to visit Tokyo in Japan, joined the school of potter Yosei Itaka and began to study Japanese pottery. She subsequently worked with renowned potter Ryoji Koie. Returning to London in 1977, Jill established her first studio. Since then, she has lived and worked in north London. She continues to exhibit in Japan, with 46 exhibitions there, mainly at Keio Department Store in Tokyo but also in Okinawa. She has exhibited widely internationally and across the UK. Jill has recently established a studio in Devon
Irish-born Susan O’Byrne studied Co. Kilkenny before moving to Edinburgh College of Art where she achieved a Post Graduate in Ceramics in 2000. Initially studying textiles, her ceramic work shows influences from this training, showing a fascination with texture, surface pattern and decoration. The work in this exhibition features new developments in surface decoration and for the first time, the use of glaze to reference Egyptian carvings seen at the Metropolitan Museum of Art and the British Museum. Susan lives and works in Glasgow.
Exhibition pieces will be viewable online from Thursday 12th October
PRODUCT CODE:JFK394Y258
PRODUCT CODE:JFK394Y337
PRODUCT CODE:JFK394Y321
PRODUCT CODE:JFK394Y328
PRODUCT CODE:JFK394Y302
PRODUCT CODE:JFK394Y300
‘I build up the surfaces of my pieces spontaneously, riffing on ideas of space, narrative and joy. I get to a point where I can push things a bit, hoping something exciting will happen – and sometimes it does.’
“The work has a strong tactile quality, as does the natural world. I don't wish to imitate nature but aspire to echo the process of nature.”
“Everything created, either functional or decorative, has equal importance,
and the integrity of this thought is the driving force behind my daily practice as
a potter.”
The driving force behind all of Paul Jackson’s
highly decorated work is a desire to express
his Cornish surroundings, with their strong
sense of colour and style. Paul uses white
earthenware to form energetic vessels
which are then decorated with colourful
and painterly abstract decorative motifs,
some influenced by Russian or Islamic art.
Richard Phethean makes ceramics
using coarse textured red and black
earthenware clays referencing
ancient pottery as well as European
slipware traditions. Richard utilises
brush and resist techniques to create
cubist‑inspired abstractions that adorn
both his domestic vessels and altered
and assembled forms.