Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Peter has been a professional potter since 1989, evolving over the years within the context of attention to detail, balanced form and decoration, and passion – all of which he believes are crucial.
Duncan’s fascination with clay began as a child in his parents’ garden. The colour, smell and malleability of the earth led him to discover at school the transformation of clay by heat into a permanent object. As a teenager, Duncan was captivated by seeing his teacher throwing a pot on a kick-wheel, his bedroom posters were images of communist revolutionary heroes and 20th-century studio pottery.
Priscilla was born in Cape Town, South Africa and attended the School of Art in Durban before setting up her own ceramic studio in England in 1968. She spent a decade in England before moving to Denmark where she has lived and worked since.
Priscilla makes porcelain pinch pots with graphic surface etchings revealed in underglaze. Her monochrome pots are often wood-fired.
With a BA (Hons) degree in Fine Art, an MA in Communication Design, and following a career in design and academia, Amanda-Sue first came to ceramics by enrolling on a course at Morley College, London in 2012. With further short courses and by joining a communal ceramics studio Amanda-Sue continued to develop her practice, making the step change to becoming a full-time ceramics-artist in 2018. In 2020, Amanda-Sue co-founded Grove Vale Ceramics, a gallery and studio in East Dulwich, London.
Loretta began her practice in ceramics via a career in graphic arts, textile design and sculpture. During pregnancy, she found working on sculptural forms too heavy and moved across to ceramics. That was the start of her fascination with the medium as it allows her the freedom to explore her enduring passions of form, colour, texture and mark-making.
Following a childhood passion for making, David studied wood/metal/ceramics at Manchester Polytechnic. Following an introduction to traditional Japanese architecture, David developed a broader fascination for Japanese craft and aesthetics, which led him to write his dissertation on Raku. Researching the Raku process in turn, led to meeting master Raku maker David Roberts who offered David an opportunity to work with him.
