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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Stephen Parry

Stephen Parry first trained at Croydon College of Art between 1974 - 1977, then moving on to Dartington Workshop until 1979 before discovering a passion for wood-fired ceramics in France.

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Anna Silverton

Anna is known for her finely wheel-thrown porcelain vases and bowls and her meticulous attention to detail. Having trained at Camberwell School of Art and the Royal College of Art, she spent time teaching in the US before returning to London. She established her ceramics workshop almost 30 years ago, which is now based in South London at her home in Sydenham.

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Wendy Lawrence

Wendy discovered clay on an art foundation course. She went on to study at the University of Central Lancashire in 1998, gaining a BA in 3D Design (Ceramics). Since her graduation, she has continued to teach ceramics and run workshops for schools, colleges and community groups. She has participated in symposiums and workshops in Britain, Europe and America.

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Rachel Wood

Rachel Wood’s ceramics are noted for their expressive, visceral, yet calm and considered qualities. Animated and complex surfaces, swathed with layer upon layer of slip and glaze, are carefully nurtured to life and so compel the viewer to their mysterious and hidden depths.

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Tessa Wolfe-Murray

Tessa trained in Ceramics at Goldsmiths College, London 1981-84. On leaving college she developed a method of sawdust firing for surfaces that were high fired and internally glazed making it possible for them to hold water. Her vessel ranges are both hand-built and slip-cast, sculptural in form but always functional.

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Yusun Won

Yusun is drawn by the vessel form. She found a way to explore vessel forms while observing a bottle from the Korean Joseon Dynasty which was constructed by joining two different forms. Looking at the attached part of the bottle, she imagined opening the enclosed part and seeing what was hidden inside.

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