Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Phil throws and hand-builds in various stoneware clays, making bowls, vases and sculptural forms. However, his main output is concentrated on small-scale porcelain and white stoneware bowls and bottles. They are exclusively hand thrown.
Fascinated by process and enhancing a technique associated with mass production, she explores multi-layered slipcasting to create unique objects. These take the form of individual pieces and collections of curated works, which blur the boundaries between the usable and the purely decorative. With a minimal aesthetic, considered forms and refined colour palette, the work is highly tactile and the considered simplicity gradually draws attention to the subtle details.
David read philosophy and literature at Warwick University. Realising the lack of jobs as a philosopher, he became a potter and taught part-time in the ceramics department at Wolverhampton University for thirty years. This allowed him the space in which to continue with his personal practice. He was awarded a PhD from Manchester Metropolitan University in 2016. David used the inquiry within his thesis to examine the question of how he could employ the language of materiality, making, and firing (particularly raku) to critically focus on issues of personal identity.
Charles was born in New York City in 1939. After graduating from Union University in 1962 with a degree in English Literature, Charles spent the next three years teaching at secondary level. From 1965 to 1971 he worked for a publishing company, dividing his time between the USA and Africa. By 1972 he was juggling a variety of commitments: teaching, travelling, writing and theatre work, mostly in Kenya.
John Pollex has carved his own niche into the world of studio pottery. Translating his interest in Zen calligraphy into the spontaneous and mesmerising display of colour his work is known for today.
Duncan Ross makes thrown and burnished vessels using many layers of fine terra-sigillata slip with resist and inlay decoration. His work is represented in many public and private collections around the world, notably the V & A and Fitzwilliam Museums in the UK, the American Museum of Ceramic Art in Pomona, California and the Mint Museum in Charlotte, North Carolina, US.
