Basket 1

Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

Shopping for someone special and not sure what to choose?

Send them a gift card

Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Stephen Parry

Stephen Parry first trained at Croydon College of Art between 1974 - 1977, then moving on to Dartington Workshop until 1979 before discovering a passion for wood-fired ceramics in France.

Discover More
Diane Griffin

Born and raised in London, Diane graduated with a BA (Hons) in ceramics in 1988. It was during her foundation course in the 1980s that she fell in love with clay. It lit her up, and her lifelong passion began. Initially she was drawn to how immediate, tactile and responsive it was, but it was during her degree at Farnham that she discovered how truly versatile clay is as a creative medium for artistic expression.

Discover More
Carl Gray

The functional wheel-thrown pots that Carl creates are modest but highly
considered and precisely made, sometimes altered when wet, often with
spontaneous, energetic surface marks. Everything is conceived in the
knowledge that his work will be wood-fired.

Discover More
Jeremy Steward

Jeremy trained in Falmouth, Cornwall and then in Cardiff before being invited to join Wobage Workshop in rural Herefordshire in 1995. From here, he makes wheel-thrown, wood-fired salt-glazed stoneware and porcelain. He and his wife Petra, also a potter and printmaker, live on the edge of the Forest of Dean. They were invited to join the Wobage studios as part-time apprentices to Mick and Sheila Casson, a role they maintained until Mick’s death in 2003. 

Discover More
Paul Wearing

Paul Wearing's hand-built sculptural vessels reflect diverse urban and rural landscapes. Creating tension between the orderly, symmetrical handmade form and natural glaze phenomena, his work aims to highlight our materiality and fragility.

Discover More
Peter Black

In his youth Peter collected (mainly damaged) Chinese Kangxi and 18th Century European porcelain, regularly visiting Portobello and Bermondsey Market at 6am.  His making came later, but is influenced by the pieces he bought, studied, and has loved over the years. These pots have of course been themselves influenced by earlier ceramic, silver, and pewter forms. 

Discover More