Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
John Higgins has a degree in 3D Design / Ceramics from the College of Art Wolverhampton, and a Post Graduate Certificate in Art Education, from Sussex University. Throughout his career in education, he has continued to make his own ceramics. He has exhibited widely both in the UK and internationally.
Sun Kim is a Korean ceramicist born in Saudi Arabia. She received her first BA in Fine Arts in Brazil where she grew up. Following that she continued her studies in ceramics, graduating with a second BA from Alfred University, New York in 2003. In 2004, she moved to the UK to undertake a studio assistantship with Edmund de Waal. In 2007, she set up her own practice in South London where she is currently based.
Recalling traditional Staffordshire mantelpiece ornaments crafted from casts of discarded domestic ephemera, Creamware, press-moulded, individually animated elements bonded at leather hard stage. Traditional Staffordshire glazes.
Sophie MacCarthy has always been drawn to random scatterings of leaves on the ground. Scatter and flow, rhythm and movement are consistent themes in the decoration of her earthenware pieces, along with a bold and joyous approach to colour.
Angela has been working in bone china since 1991 using traditional slip casting techniques: designing her own models, making plaster moulds, and finally slipcasting translucent pieces. Conventional forms, vessels, bowls and plates retain both their functional identity but also serve as a natural canvas for decoration. Her work develops in series mostly inspired by nature; depending on the decoration each series has its own identity.
Growing up in communist Poland, Ania’s everyday life was underpinned and surrounded by stark, grey concrete structures – brutal, imposing, and unavoidable. This architecture was raw, substantial and woven into the history and fabric of the country and her upbringing.
