Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Margaret was introduced to clay at Bolton College of Art and studied at Stoke-on-Trent School of Art under ex-Bernard Leach apprentice Derek Emms. It was here that she met her husband-to-be, David Frith. They established their first workshop in the mid sixties and have been based in their 18th Century woollen mill workshop in Denbigh, North Wales since 1976, where they continue after fifty years to teach and create their own work.
Sue’s multidisciplinary conceptual practice comprises stand-alone pieces, installation, film and tableware, collectively defined by a distinct language. Current work is rooted in traditional techniques, thrown forms made on the wheel, firing in real flame kilns and using natural wood ash deposits and the reduction flame to add unpredictable embellishment.
Phil throws and hand-builds in various stoneware clays, making bowls, vases and sculptural forms. However, his main output is concentrated on small-scale porcelain and white stoneware bowls and bottles. They are exclusively hand thrown.
Many of his sculptures start with a narrative that is either imagined, half remembered, carefully researched or commissioned. A love of whimsy, folk art, religious and tribal art, and his background as an illustrator, all go into the mix. His output is low and slow. Occasionally, Derek returns to a theme but, unless specifically designed as a set, every piece he creates is unique.
Hiro was born in Fukushima, Japan. Due to her father’s work commitments, Hiro had a peripatetic childhood. The constants in her life were her grandmother and being close to nature. However, she was dismayed later on to find that the traditional old buildings from her childhood walks with her grandmother had been demolished. Driven by sadness and nostalgia at the loss of her childhood environment/world in Japan, Hiro creates a link between the present and the past from her memories and imagination.
