Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
For this new exhibition, Jane will be showing a group of hemispherical double walled bowls mixed with different organic and man-made materials collected randomly, each a metaphor for memory and words. Using combinations of press moulding, coiling and slabbing processes before burnishing the surface, her pieces are then low fired and then refined with sandpaper followed by a higher temperature firing.
Sean's love of slipware first began whilst attending the studio pottery course at Harrow College of Art in the late 1980s. Now 30 years and three workshops later he is still making slipware. Since 2007, after moving from London, Sean has been working in an old converted stone barn in Southern Brittany, France.
Katie studied ceramics as part of her degree in Cheltenham and went on to teach in secondary education specialising in ceramics. Drawn to working with clay from a young age and inspired by the landscape and seascape around where she lives, Katie is particularly influenced by the manmade and natural marks in the environment. She enjoys the nature of the material and the meditative quality of hand building, as well as the malleable quality of clay which retains a sense of the maker’s hand.
As a child, Emmanuel grew up surrounded by the traditions and perfumes of Sardinia, a land rich in marine life. Her work is influenced by her native culture with its music and folk-costumes of luxuriant materials adorned with precious jewels. She was captivated by the gentle flowing of the living creatures found in the seabed, particularly by coral and the variety of porous sponges.
Many years ago, Harriet was inspired by an article by Dick Lehmann about carbon trap glazes. She has been exploring this intriguing glaze ever since. She believes that all the potters who work with carbon trap seek different qualities and achieve quite distinctive effects even though they may use the same recipe and fire to the same temperature in the same kind of kiln. The glaze is unusually responsive to the atmosphere in the kiln and even to the weather as it dries before firing.
Sarah has been a potter for 45 years and also makes work in oak, lead and cast iron. She trained in painting at Chelsea School of Art between 1960-64 after which, she spent five years working as a nurse. This period was followed by studying at Harrow where she graduated in 1973 with a Diploma in Studio Pottery. Sarah undertook apprenticeships with David Leach and Zelda Mowat.
