Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Award-winning artist, Ashraf Hanna works with the vessel to explore relations between profile, line, and space. Using a process of handbuilding, and working with colour and texture, Hanna examines the juxtaposition of sharp lines and soft curves.
In 2014, Jack and his late wife and fellow ceramicist built a 3D ceramic printer, there being no such printers available at the time. Together they began making 3D printed ceramics. Within six years, Jack re-thought his design ideas, formulated a workable clay mix, and developed his skill. His designs combine hand-drawn elements with mathematical curves and semi-random 'noise'. He is interested in nature's growth processes which often build up layer by layer like a 3D print. Random variations were introduced by using algorithms that were developed for animated films to give the appearance of flames, hair or vegetation.
Paul Wearing's hand-built sculptural vessels reflect diverse urban and rural landscapes. Creating tension between the orderly, symmetrical handmade form and natural glaze phenomena, his work aims to highlight our materiality and fragility.
With a BA (Hons) degree in Fine Art, an MA in Communication Design, and following a career in design and academia, Amanda-Sue first came to ceramics by enrolling on a course at Morley College, London in 2012. With further short courses and by joining a communal ceramics studio Amanda-Sue continued to develop her practice, making the step change to becoming a full-time ceramics-artist in 2018. In 2020, Amanda-Sue co-founded Grove Vale Ceramics, a gallery and studio in East Dulwich, London.
The passage of time and change observed in urban and rural landscapes has always been central to the themes Dennis explores in his work. The process of archaeology and its concern with time and layers has also greatly influenced the way in which he expresses his ideas. Architectural fragments, marks on the landscape, multi-layered and over painted surfaces, have all influenced the way he works in clay.
The careful traditions of English slipware are unseated and then thoroughly reworked through the ceramics of Dylan Bowen who has taken this English inheritance and very definitely made it his own.
