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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Josefina Isaza

Josefina is a Colombian born ceramicist living and working in London. She gained a BFA in crafts from The University of the Arts, Philadelphia, under the guidance of world-renowned potter, James Makins.

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Karen Bunting

1949 – 2024

Karen began making pots in the early 70s.  She completed a degree in chemistry at University College London, then worked as a computer programmer before she discovered ceramics and quickly realised that ceramics was her real vocation. As a largely self-taught ceramicist, Karen worked briefly for a production potter in Yorkshire, then moved back to London and in 1977, set up her first pottery in Hackney, East London.

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Lara Scobie

Lara Scobie is an Edinburgh based ceramic artist specialising in individual slip-cast vessels and bowls made in porcelain and parian clay. Focusing on the dynamic between form and pattern her work explores the cohesive integration of drawing, surface, mark making and volume.

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Jin Eui Kim

Jin Eui Kim is an internationally renowned ceramic artist. Originally from South Korea, he now lives and works in Cardiff, UK.

Whilst at Cardiff School of Art & Design, Jin Eui studied the illusory effects of the application of tonal bands to three-dimensional surfaces. He graduated with an MA and PhD in Ceramics.

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Matt Horne

Matt Horne began his career in ceramics with training at Aylesford Pottery in Kent, where he developed his technical skills in production throwing, before going on to set up his own workshop near Folkestone in 2008.

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Carina Ciscato

Carina trained as an industrial designer in Germany and specialised in furniture design. One day she found herself at a ceramic studio near her house. She had a sudden realisation that there was no difference between making a teapot or a chair because it's all about aesthetics: form, function, balance, and proportion.

Carina had no formal ceramic education and through apprenticeship, short courses, and residencies she has learned and worked with different clays in different parts of the world. She explores the potential and qualities of each clay body, a continuous conversation unfolding between the maker and the material.

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