Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Penny Fowler

Penny Fowler is a London based potter whose work reflects 21st century living in the capital. Using porcelain and bone china clays, her work is characterised by clean, precise lines and forms using a strong palette.

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Judy McKenzie

After a long and varied career in design and printing, Judy changed direction and followed her passion for ceramics.  At the age of sixty she enrolled for a 3D Craft and Design BA at a local college and graduated with a 1st Class (Hons). Judy went on to gain an MA at the Royal College of Art, specialising in Nerikomi and Kintsugi.

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Juliet Macleod

Juliet Macleod makes wheel-thrown porcelain that imparts an evocative exploration of the Scottish coast. Using a distillation of drawings and photographs made over many years, she creates contemplative pieces which hope to engage the viewer and spark their own memories.

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Karen Downing

Karen throws carefully considered porcelain pots for everyday use. Her forms are elegant yet robust: these are pots to be held,  filled, drunk out of and eaten from. The purposeful use of one material (porcelain), a single creamy white glaze, a deliberately restricted vocabulary of form and the process of repetition throwing combine to create both unity and diversity in her work.

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Antonia Salmon

Antonia Salmon’s ceramic sculptures have been exhibited and sold into collections throughout the UK and internationally for over 35 years. She has also worked with interior designers and individuals to complete commissions for corporate, hotel and home collections.

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Ashraf Hanna

Award-winning artist, Ashraf Hanna works with the vessel to explore relations between profile, line, and space. Using a process of handbuilding, and working with colour and texture, Hanna examines the juxtaposition of sharp lines and soft curves.

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