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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Jim Malone

Jim Malone has been making pots for over forty years, gradually establishing an international reputation. Having exhibited widely over many years, both in Britain and abroad, Jim's work is represented in numerous private and public collections, including York Museum and Art Gallery and the Victoria and Albert Museum, London.

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John Pollex

John Pollex has carved his own niche into the world of studio pottery. Translating his interest in Zen calligraphy into the spontaneous and mesmerising display of colour his work is known for today.

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Barbara Gittings

Barbara Gittings’ smoke fired, nerikomi porcelain vessels are quiet, contemplative and sensual, as she wants anyone looking at the work to want to touch it and be drawn in.

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Rosalie Dodds

Rosalie has always been inspired by forms and textures in the landscape and seashore, especially chalk cliffs and flint seams found locally. These have been starting points for textures on her pots.

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Ben Brierley

Ben’s work is mainly hand-built, wheel-thrown and altered using stoneware, porcelain, and high fired earthenware clays. Forms seek to utilise and respond to the malleability of the material with work being altered and assembled while still wet.

The majority of his work relies exclusively on the interaction between ash, clay and fire achieved through extended wood firings in an anagama type kiln. However, recent pieces are exploring the potentials of using earthenware clays to bring out the character and attitude in the work.

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Martin Pearce

Martin Pearce creates abstract sculptural pieces inspired by natural forms. His work often portrays a state of flux, with the quality of moving water or cloud forms, while other pieces appear as if they could be in quiet contemplation.

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