Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Bridget Drakeford

Bridget started making pots full-time while living in Scotland in 1976. At first, she made domestic stoneware, firing in a gas kiln and gained skills in all aspects of pottery. Having had no formal training Bridget’s determination and hard work meant she gradually developed her own technique.
She has always loved porcelain and gradually changed over to this material finding that it suited the style of work she was searching for. Eastern ceramics were very influential and she loved the Chinese and Korean shapes and glazes.

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Ian Morrison

Ian’s work is a contemporary interpretation of country pottery. His salt glazed domestic ware focuses on line, surface and balance. He likes to emphasise tactility and evidence of the maker’s hand, highlighting the subtle marks and fingerprints from handling and attachments. This, combined with clean lines make his work approachable and usable, while giving the work extra durability that comes from the firing process.   

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Patricia Shone

Patricia has been living and working on the Isle of Skye for the past 25 years. Her work is informed and inspired by the powerful landscape of the island.

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Paul Jackson

Paul studied studio ceramics under renowned ceramic sculptor, Mo Jupp at Harrow School of Art, graduating in 1977. Following a short period teaching in London, he relocated to Cornwall, where he established his pottery in 1979. He moved to his present home at Helland Bridge, where he works in a studio converted from an old chapel, in 1989.

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Carl Gray

The functional wheel-thrown pots that Carl creates are modest but highly
considered and precisely made, sometimes altered when wet, often with
spontaneous, energetic surface marks. Everything is conceived in the
knowledge that his work will be wood-fired.

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James and Tilla Waters

James and Tilla Waters create their pieces from a studio in Mid-Wales. Carefully considering where hands hold pieces and edges meet mouths, their forms have classic clean lines with beautifully balanced proportions.

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