Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Collecting and arranging manmade and natural forms provides Claire with great enjoyment and creative impulse for her making. Crucial to her creative process is her discipline of drawing and keeping a continuous sketchbook of ideas and studies. Sculptural forms have emerged through extensive research and exploration of alternative hand-building techniques. Smoky and painterly surfaces envelop her ceramic forms and are integral to the whole.
As a child, Jon loved drawing and messing about with mud. He and his brother and friends spent many joyful years roaming and exploring on the waste ground of empty housing plots. The exposed seams of soft yellow clay they discovered was perfect for making ‘weapons’ - squashed balls of clay on the ends of sticks. Although childhood has long passed, the activity has informed and inspired his approach to ceramic practice and his educational/community engagement work.
The careful traditions of English slipware are unseated and then thoroughly reworked through the ceramics of Dylan Bowen who has taken this English inheritance and very definitely made it his own.
Born and brought up in Norwich, Richard has been making pots since the early 1970s. After studying for two years at Great Yarmouth College of Art, he worked from 1974 to 1980 at Le Dieu Pottery in Norwich before spending 3 years in Australia and New Zealand, and a further five in Germany.
He is inspired by Hungarian and Romanian slipware from the 1800s and by English country pottery. Recently his work has explored colour and abstract patterns in strong forms that capture the ebb and flow of the sea and the landscape of South West Dorset.
Taja came over to UK from his native country Japan to study oil painting and settled in Devon over 40 years ago. He was inspired by so many potters in the south west, so he started making pots using his friend’s pottery workshop. He is largely self-taught. He found that slab and coil built pottery suits him the most. He started experimenting with porcelain clay about 20 years ago after being inspired by enormous blue porcelain wall tiles at a new Japanese airport especially the water-like quality of the blue glaze.
Yusun is drawn by the vessel form. She found a way to explore vessel forms while observing a bottle from the Korean Joseon Dynasty which was constructed by joining two different forms. Looking at the attached part of the bottle, she imagined opening the enclosed part and seeing what was hidden inside.
