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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Loretta Braganza

Loretta began her practice in ceramics via a career in graphic arts, textile design and sculpture. During pregnancy, she found working on sculptural forms too heavy and moved across to ceramics. That was the start of her fascination with the medium as it allows her the freedom to explore her enduring passions of form, colour, texture and mark-making.

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Richard Heeley

Richard grew up in Stoke-on-Trent, a city with a long history of ceramics. Richard graduated from Manchester Metropolitan University in 1996 with a BA(Hons) in Ceramics and Design, focussing on reduction firing and oriental ceramics. He set up his first pottery in south London, specialising in blue and white porcelain.

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Birgit Pohl

Birgit Pohl grew up in Germany and porcelain objects in her family home always held a particular fascination. After moving to London, a chance visit to a potter’s studio first opened her eyes to the possibilities of working with porcelain. She learned how to throw on the wheel initially at evening classes and went on to study at Clay College, Stoke-on-Trent.

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Penny Simpson

From an early age Penny enjoyed playing with clay at home as her mother had a small pottery studio. However, it was not until she lived in Japan in her twenties that she became more seriously interested in making pots.

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Rosalie Dodds

Rosalie has always been inspired by forms and textures in the landscape and seashore, especially chalk cliffs and flint seams found locally. These have been starting points for textures on her pots.

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Delfina Emmanuel

As a child, Emmanuel grew up surrounded by the traditions and perfumes of Sardinia, a land rich in marine life. Her work is influenced by her native culture with its music and folk-costumes of luxuriant materials adorned with precious jewels. She was captivated by the gentle flowing of the living creatures found in the seabed, particularly by coral and the variety of porous sponges.

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