Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Kerry Hastings

With both of her parents being artists, Kerry’s childhood was surrounded by paintings, sculpture, and architecture. They had a potter friend and spent quiet hours in her studio. She went on to gain a BA Hons Ceramics at University of Westminster.

Kerry is inspired by the making process itself, using clay as a way of exploring her relationship to the world as a maker.  She seeks creative strategies analogous to those found in nature such as growth, metamorphosis, and fragmentation.

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Suleyman Saba

Suleyman Saba makes tableware and individual stoneware pots. The forms he makes and the glazes he uses bring together traditional techniques with modern sensibilities.

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Billy Adams

His work is influenced by landscape settings, especially the wild rugged beauty of Connemara and Donegal, and the dramatic West Wales coastline. He incorporates geological elements, natural colours, as well as the marks of human activity on the landscape into his vessels. He is interested in addressing the relationship we have with the landscape.

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Isabel KJ Denyer
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Jeremy Nichols

Jeremy Nichols creates saltglazed ceramics that combine functionality with visual impact. Graduating with a first in Workshop Ceramics from the University of Westminster (Harrow) in 1997, the following year he set up his workshop in a converted farm building in Broxbourne, Hertfordshire, where he has been making ever since.

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Daniel Chau

Daniel obtained a BA (Ceramics) from Royal Melbourne Information Technology University (co-presented with Hong Kong Art School) in 2007.

Daniel creates carefully sculpted porcelain vessels. The start of Daniel’s creative process begins with throwing. He is fascinated by the patterns and ongoing variations that emerge during this stage. The unique traces left on the forms evoke for him a sense of a path paved with the sedimentation of memory.

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