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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Bridget Drakeford

Bridget started making pots full-time while living in Scotland in 1976. At first, she made domestic stoneware, firing in a gas kiln and gained skills in all aspects of pottery. Having had no formal training Bridget’s determination and hard work meant she gradually developed her own technique.
She has always loved porcelain and gradually changed over to this material finding that it suited the style of work she was searching for. Eastern ceramics were very influential and she loved the Chinese and Korean shapes and glazes.

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Barry Stedman

After a career in retail, Barry discovered the joy of working with clay through evening classes, and soon realised he wanted to explore further and learn as much as possible. He then gained a place on the ceramics course at the University of Westminster, Harrow.

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Lisa Katzenstein
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Rachel Holian

Rachel has worked with porcelain since graduating from Manchester Metropolitan University in 2005.  Rachel makes installations of miniature wheel-thrown porcelain vessels. These collections of vessels are grouped in a specific way to give meaning to a particular collection, representing family, relationships, and emotional ties.

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Rose Wallace

Rose’s work aims to comment upon us all as today's consumers. She employs original discarded objects as her starting point. Whether it is an 18th Century clay pipe, a 1950s jelly mould or a piece of contemporary plastic packaging, she believes the inherent value held within the transience of our collective domestic ephemera has a story to tell.

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Jane Hamlyn

Jane Hamlyn's life as a full-time professional potter began in 1975. She chose to work in salt-glaze, an unpredictable technique with a short history and undiscovered potential.

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