Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Tanya Gomez is a celebrated ceramist renown for her porcelain vessels in her signature lustrous colours.
With an MA in Ceramics from the Royal College of Art, Tanya’s process is practice led. Developed from traditional methods and disciplines Tanya has honed her skills over the last 15 years and uses dynamic throwing, cutting and assembling techniques to create large cylindrical shapes. Impactful both individually and as a group, her vessels create expressive, vivid landscapes and fluid, architectural forms.
Jane trained at Camberwell College of Art and at the Royal College of Art and has won several awards for her work including the Wedgwood Scholarship for surface design.
Working across a range of making methods; throwing, jolleying, casting and hand-building, pieces are designed to stand alone or as part of a set. Colour plays a central role in Jane’s work and she is greatly inspired by patterns found in nature and landscape, notably in France the Caribbean and the Isle of Wight.
Jane was born to a family of artists, creatives and potters. Growing up in the Suffolk countryside, her upbringing was unconventional. With little formal education, Jane left school early and entered a life of art, in keeping with family tradition.
Claudia trained as a painter but transferred to pots because she found the turning surface sympathetic to an unfolding visual narrative. Stories are her raw material - both her own and other people's, also fictional stories, songs, and poetry. The human, cultural, and historic associations of pottery connect particularly well to the work she does interpreting women’s histories and contemporary lives. The nature of pots is that they can break, and so can be mended. This she finds to be a compelling metaphor for both trauma and survival - the mending has an optimistic quality.
Hyejeong Kim’s work is rooted in the history of Chinese, Korean and Japanese ceramics yet influenced by modern ceramics of the United Kingdom.
Duncan Ross makes thrown and burnished vessels using many layers of fine terra-sigillata slip with resist and inlay decoration. His work is represented in many public and private collections around the world, notably the V & A and Fitzwilliam Museums in the UK, the American Museum of Ceramic Art in Pomona, California and the Mint Museum in Charlotte, North Carolina, US.
