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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Isabel KJ Denyer
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Kerry Hastings

With both of her parents being artists, Kerry’s childhood was surrounded by paintings, sculpture, and architecture. They had a potter friend and spent quiet hours in her studio. She went on to gain a BA Hons Ceramics at University of Westminster.

Kerry is inspired by the making process itself, using clay as a way of exploring her relationship to the world as a maker.  She seeks creative strategies analogous to those found in nature such as growth, metamorphosis, and fragmentation.

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Rhian Malin

Inspired by her grandmother’s Willow Pattern collection, Rhian Malin continues the long historic tradition of hand-painting porcelain with cobalt-blue decoration. Her elegant wheel-thrown porcelain vessels are the chosen surface, created to stretch this tradition into the 21st Century.

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John Christie

John left art school in 1970 and dug trenches for gas pipes for a living. Later, through his college friend’s brother (who was a potter) John worked for David Frith in North Wales. He found the discipline hard, but it has stood him in good stead ever since.

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Jack Doherty

Jack has two major strands to his ceramic portfolio: hand-thrown porcelain vessels and his stoneware domestic range. Over time, he has developed and forged his own unique way of making. 

With his distinctive hand-thrown porcelain vessels, Jack has honed his craft skills to working with one clay, one colouring mineral and one single firing technique. Within this simple but richly complex way of fine tuning his practice, he has found his singular creative focus. His firing technique is unique, where the space within the kiln is used creatively. 

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Emma Lacey

Emma’s ceramics practice is built on notions of what is known as Emotionally Durable design. She uses the making language of ceramics and a design sensibility to make work which is contemporary and relevant over time.  

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