Marina Bauguil creates handbuilt, intimate, figurative pieces which explore creative traditions of Earth and Spirit.
Daniel Chau creates carefully sculpted porcelain vessels. His uniquely textured, thrown works, speak of a path paved with memories.
Moira Goodall’s hand built, smoke fired vessels are inspired by the Essex coast and saltings. Contemplative and tactile they capture the soft estuary landscape.
Björk Haraldsdóttir’s background is in architecture and her striking monochrome work echoes this with her natural forms reflecting her Icelandic heritage.
Paul James’ work focuses on the simplicity of the raw material, revealing the natural beauty and refinement of the clay body.
Jaeeun Kim’s bright illustrated ceramics are informed by art therapy practices, particularly the ‘House-Tree-Person’ method.
John MacKenzie makes vessels which express the intimate, tactile nature of clay whilst telling a story about the volatile and extreme processes which have formed them.
Ania Perkowska’s work finds its foundations in a childhood growing up in communist Poland. It draws on the same rawness but seeks beauty in the simplicity of form.
Birgit Pohl makes wheel-thrown, hand decorated porcelain pots exploring the balance between precision of form and fluidity in surface decoration.
Amanda-Sue Rope’s work incorporates wheel‑thrown and hand building processes and is inspired by the geometry and richness of the built environment.
Jessica Thorn’s latest collection of porcelain plates showcases the importance of convivial connections between ceramics, food and community, which is at the heart of her practice.
Kate Windibank’s creative practice involves a continuous investigation of form and surface with her sculptural ceramic vessels being abstracted geological formations.
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This exhibition profiles the works of eight esteemed makers, each of whom have recently been awarded Selected Member status by the Craft Potters Association.
Lise’s primary interests lie in creating decorative and sculptural forms with highly textured, expressive surfaces. The work is deeply rooted in the rugged landscape she grew up in in Norway, imbuing a sense of place, timelessness and quiet beauty within each piece, as if they were found, rather than made.
This exhibition profiles the works of ten esteemed makers, each of whom have recently been awarded Selected Member status by the Craft Potters Association.
As his working practice approaches fifty years, Jack Doherty’s work has become simpler and more focused. By stripping away what he considers unnecessary, Jack’s process now involves just one clay, one colouring mineral, and a single firing. For inspiration and courage, he looks back to prehistoric vessels, powerful anonymous objects that held both practical and spiritual significance in everyday life. These forms, made before art or craft, speak profoundly of their time and the people who lived with them.
“Simplicity is complexity resolved” - Constantin Brancusi
Lara Scobie is an Edinburgh based ceramic artist specialising in individual slip-cast vessels and bowls made in porcelain and parian clay. Focusing on the dynamic between form and pattern her work explores the cohesive integration of drawing, surface, mark making and volume. The off-center ellipses of the individual forms echo line drawings and decoration applied to the painted surfaces.
“The theme of balance is a constant, significantly underlining my current work in which ideas of dynamic interplay between form and surface develop.” – Lara Scobie
Sue’s work draws on the quiet resilience of trees and bones—forms shaped by time, marked by fragility and carrying memories of growth and decay. Through slow, receptive hand-building, each piece develops as if guided by an internal rhythm. Textured surfaces hold lines like weathered stories, while a soft matte glaze evokes a sense of calmness.
‘My hurt, my joy, my scars, my healing, all shape the work I create in clay.’ – Sue Mundy