Ruthanne Tudball and Jeremy Steward each have longstanding careers in ceramics creating work that feels organic and holds an earthy authenticity. Jeremy wood fires and salt glazes his work while Ruthanne is renowned for her soda glaze firing, both resulting in rich, layered surfaces.
Working from the renowned Wobage workshop in rural Herefordshire, Jeremy Steward is inspired by the soft fluidity of the materials themselves — clay on the wheel, slip and raw glaze. His work is often decorated by using wooden roulettes and stamps to impress deeply textured patterns into the freshly thrown forms.
Based in Norfolk, Ruthanne Tudball has welcomed the way that sketching, and life drawing in particular, has trained her eye, helping to develop the sense of form she translates into her ceramic art. Ruthanne’s functional pieces are assembled and manipulated while wet, capturing the soft organic quality of clay.
Don’t miss the chance to collect a piece from this beautiful collection of new works by two highly influential makers.
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This exhibition profiles the works of eight esteemed makers, each of whom have recently been awarded Selected Member status by the Craft Potters Association.
Lise’s primary interests lie in creating decorative and sculptural forms with highly textured, expressive surfaces. The work is deeply rooted in the rugged landscape she grew up in in Norway, imbuing a sense of place, timelessness and quiet beauty within each piece, as if they were found, rather than made.
This exhibition profiles the works of ten esteemed makers, each of whom have recently been awarded Selected Member status by the Craft Potters Association.
As his working practice approaches fifty years, Jack Doherty’s work has become simpler and more focused. By stripping away what he considers unnecessary, Jack’s process now involves just one clay, one colouring mineral, and a single firing. For inspiration and courage, he looks back to prehistoric vessels, powerful anonymous objects that held both practical and spiritual significance in everyday life. These forms, made before art or craft, speak profoundly of their time and the people who lived with them.
“Simplicity is complexity resolved” - Constantin Brancusi
Lara Scobie is an Edinburgh based ceramic artist specialising in individual slip-cast vessels and bowls made in porcelain and parian clay. Focusing on the dynamic between form and pattern her work explores the cohesive integration of drawing, surface, mark making and volume. The off-center ellipses of the individual forms echo line drawings and decoration applied to the painted surfaces.
“The theme of balance is a constant, significantly underlining my current work in which ideas of dynamic interplay between form and surface develop.” – Lara Scobie
Sue’s work draws on the quiet resilience of trees and bones—forms shaped by time, marked by fragility and carrying memories of growth and decay. Through slow, receptive hand-building, each piece develops as if guided by an internal rhythm. Textured surfaces hold lines like weathered stories, while a soft matte glaze evokes a sense of calmness.
‘My hurt, my joy, my scars, my healing, all shape the work I create in clay.’ – Sue Mundy