Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Ania Perkowska

Growing up in communist Poland, Ania’s everyday life was underpinned and surrounded by stark, grey concrete structures – brutal, imposing, and unavoidable. This architecture was raw, substantial and woven into the history and fabric of the country and her upbringing.

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Jane Hamlyn

Jane Hamlyn's life as a full-time professional potter began in 1975. She chose to work in salt-glaze, an unpredictable technique with a short history and undiscovered potential.

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Mandy Cheng

Mandy Cheng’s focus is on porcelain and to make pots that are unique ergonomic forms. Her works are designed to be graceful and minimalist, to conjure a feeling of lightness and a sense of movement.
The signature mesmerizing patterns mimic the vivid diversity of nature. Using the nerikomi method, the patterns are meticulously prepared by repeated cutting and layering of plain and coloured porcelain sheets.

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James and Tilla Waters

James and Tilla Waters create their pieces from a studio in Mid-Wales. Carefully considering where hands hold pieces and edges meet mouths, their forms have classic clean lines with beautifully balanced proportions.

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Jaeeun Kim

Jaeeun Kim is a South Korean ceramic artist working in London. She began her artistic career in ceramics and art therapy. After earning a Masters degree in Ceramic Art from Kyunghee University in South Korea, she worked as a ceramic artist, university lecturer, and art therapist for disabled children.

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Julian King-Salter

Julian first made a coil pot at school in 1968 and was immediately hooked - and very well supported by teacher David Buchanan to pursue his passion in exploring what could be made by hand-building with clay. Other than what he was empowered to discover at school, he had no formal training.

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