Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Phil throws and hand-builds in various stoneware clays, making bowls, vases and sculptural forms. However, his main output is concentrated on small-scale porcelain and white stoneware bowls and bottles. They are exclusively hand thrown.
Sarah studied at Bath Spa University where she graduated with a BA(Hons) in Ceramics. She met fellow potter Jon Williams there, they married and set up their studio in 1994 at Eastnor Pottery, near Ledbury, Herefordshire. She collaborates with her husband to offer pottery experiences from Eastnor Pottery & The Flying Potter.
After a long and varied career in design and printing, Judy changed direction and followed her passion for ceramics. At the age of sixty she enrolled for a 3D Craft and Design BA at a local college and graduated with a 1st Class (Hons). Judy went on to gain an MA at the Royal College of Art, specialising in Nerikomi and Kintsugi.
Jonathan graduated from Farnham Art School in 1974 and worked for Joe Finch at Appin Pottery in Scotland. He began making once fired domestic ware in a pale stoneware body, guided and inspired by Bernard Leach’s ‘A Potters Book’. He went on to work in porcelain and to decorate with a brush.
In 1999, Jonathan moved to East Sussex where he built a smaller kiln in a more spacious workshop. He began to experiment seriously with reduction fired lustre which had fascinated him ever since he attended a course given by the late Marjorie Clinton two years previously.
Based in North Yorkshire, Emily graduated with a BA(Hons) in Ceramics from University of Wales, Cardiff in 2007. She went on to co-found PICA Studios - an artist led studio collective of 23 artists, makers, writers, and thinkers set within an 18th century printworks in the centre of historic York.
Mark makes black and white domestic slipware using a combination of traditional craft and modern industrial ceramic techniques, in a contemporary take on Staffordshire slipware. Currently, he is developing his tableware and large functional work into sculptural one-off pieces.
These include slab built, stacked designs for sculptures which depend on gravity to interlock. He is also experimenting with platinum lustre transfers to exploit the differing reflective qualities of glazed and lustred surfaces.
