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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Adam Buick

Adam uses a single pure jar form as a canvas to map his observations from an ongoing study of his surroundings. He incorporates stone and locally dug clay into his work to create a narrative, one that conveys a unique sense of place.

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Stephen Parry

Stephen Parry first trained at Croydon College of Art between 1974 - 1977, then moving on to Dartington Workshop until 1979 before discovering a passion for wood-fired ceramics in France.

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Laura Plant

Making in her hometown of Stoke-on-Trent, Laura draws from the creative heritage and ambition of the pioneering potters who made the city famous. Her contemporary forms echo the grandeur of 18th century ceramics, she has long admired. Thrown in porcelain, each piece is a unique ‘sketch’ in clay, carefully turned and refined to reveal the precise form.

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Ikuko Iwamoto

Ikuko Iwamoto is a London-based Japanese artist who uses porcelain to create eccentric table-top pieces and sculpture. Her fundamental inspiration comes from intricate and fragile looking structures, and odd forms found in the microscopic world.

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Jitka Palmer

Jitka was born in Prague. She studied medicine and worked as an anatomist. In 1985, she moved to Britain and studied ceramics at Croydon College of Art and Design and Stone Masonry at City of Bath College. She set up her studio in London with the help of a Crafts Council grant. She lives and works in Bristol.

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Martin McWilliam

Martin describes his work as ‘ Clay – Water – Wood –  Fire – Space’. These five elements are synthesised to create a reversed trompe-l’œil type of work, seemingly excavated or revealed, and simultaneously diminishing the third dimension.

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